Viscanti's part about the beautiful young woman played by Romei Schneider is designed to avenge her husband and pretend to be his mistress so that he can spend money to get her; Desika's part about a timid man wins a prize for a date with a girl; Monicelli's part has been deleted in many overseas editions, and its style is more traditional comedy, lower-key, and easy to disappear in the shadow of his peers. But the best part is Fellini's piece, called "the temptation of Dr. Anthony," about a bully beauty "alive" from a poster to make fun of a sanctimonious abstinence man. Behind-the-scenes production: four heavyweight Italian directors use their own techniques to capture the spirit of Bhagaccio and present a large picture of the world on the stage of Rome. Although it is only a short film, Fellini tells the story of exposing the hypocritical morality of the upper class in a light sarcastic but heavy tone. Dr. Anthony is a figure worth discussing. He feels powerless in the face of the collapse of values and moral decay, and tries to hide his inner desires with a mask of hypocrisy, but when the huge image of a girl comes out of the advertisement to have fun with him, his nature is finally revealed. Fellini uses fantasy and reality to create both absurdity and heaviness at the same time.
7.2
