When the only son dies, the second-class parent, male Chen, not only has to bear the pain of his son's passing away from his wife, but also has to bear the pressure of no one to follow the family incense lamp. The sick mother was so anxious that one of Chen and her daughter had to make sacrifices: Chen also gave up the one he loved, married a woman who could have children, or married a husband who was willing to become a nuisance. Pan Na Hyde, the director who made an appearance in "the Iranian style of remarriage" (40th session), co-produced Naomi Kawase, filmed the implicit and delicate Japanese style with a simple and natural Iranian style, and depicted the contradictory struggle between personal freedom and family responsibility in the light breeze; put in the traditional deep-rooted societies of the two places, it turns out that different paths lead to the same goal.
6.1
