Betty Davis lost the case and returned to Warner, but fought for the right to cast within a certain range. At this time, Warner handed the heavy responsibility of production to the new style of Herwartz, and began the "high-cost, precision production" route. Betty felt like a fish in water under such circumstances, and soon performed another masterpiece, "tears in the Red shirt," which won the Best Actress Award again: set in the American South during the Civil War, describes a stubborn beautiful woman who tries her best to get him back after willfully losing her boyfriend. The film was well received before the appearance of the epoch-making gone with the Wind. Betty worked with director William Wheeler on three films in a row, establishing Betty's status as a super actress. In fact, since 1937, Elsholtzia has won the reputation of "box office queen" for ten years in a row, and has been promoted as "first lady of American national film". This honor is very rare in the film industry. If we carefully observe the screen image of Betty, we can find that she seldom plays the role of being kind to other women, usually complaining with others, fighting, and even having fierce disputes, which fully shows the strong exclusion color of "same-sex repulsion". At the same time, Betty's role also proves that women can be just as strong.
7.6
