Sandra was infatuated with the unknown mysterious world since childhood, always felt indescribable pity for animal carcasses, she was sentimentally attached to the atmosphere of death and the smell of dead bodies, and she carried out the death ceremony she insisted on for all corpses. When Sandra grew up, under the opportunity of sending flowers to the funeral home, she decided to apply for a full-time dead body makeup artist. She learned the aftermath and make-up skills of rotting corpses from the owner of the library. She tried the bottom line step by step, she discovered, hesitated, and then crossed and fascinated. Sandra explores the deepest meaning of life in her work, and thus discovers the faith in the hall of love. Generally speaking, necrophilia is mostly male, but the protagonist in this film is a beautiful and weak woman, and unlike ordinary male necrophilia, her infatuation does not focus on sexual organs and sexual pleasure, on the contrary, her necrophilia is like a little girl in love for the first time, a little melancholy, a little pure love, and even a little romance. A lot of exposed white light is used in the film to render the spirit and purity of this kind of corpse.