The years are silent, heaven and earth are not benevolent, and the children in the war see only a bitter face. Finnish film warrior Han Jiashalu went deep into the Russian battlefield where even reporters were grounded, targeting the Russian isolated island military academy, the dilapidated house in the Chechen capital, and the battlefield makeshift orphanage. the children of the three places were burdened with the hatred and hatred of the war, and their souls were all injured. In fact, the ideal of a ten-year-old poet at the military academy is not to kill the enemy, but to be Pushkin. Aslan, 12, who had been raped by Russian soldiers in Chechnya, denied that he was Russian. Sometimes fierce black-and-white images, sometimes elegy-like long shots, under the cover of a mist, it is like mankind exploring the invisible future, thinking that beauty can only find ugliness. Tarkovsky and Anslopoulos had a flash of inspiration, and the Venice Film Festival won three consecutive awards, one of the best documentaries of the year.
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