Men are like the sea, drifting far away; women are trees that shade their homes. This is a private creation that traces back to the family memory, from the affectionate reply of the two people at first, to the birth of life, and then to the nurturing of children with natural and gentle care. Under the care of a woman as gentle as a branch of a giant tree, children, like birds, learn to fly and experience all things in the sky. But at the moment when the giant tree fell, the chicks were forced to deform and grow up, and from then on, in the long years of bereavement, they missed their loved ones and mourned their lost self. With the Impressionist painting style as the backbone, coupled with 16mm film images of organic particles, cutting-edge director Vasconsler through family objects, self-recorded soundtrack, and dramatic reconstruction performance, the father of the comb family almost lost memories. She invited her family to participate in the performance in person, corresponding to the narration of different voices, and created an imagination space with the separation of sounds and strokes, so that the whole film had a light sense of flow under the profound contemplation of life, forming a work with picturesque composition and eternal noise healing.