The film begins with a documentary-style fight scene: a group of scorpions against rats; then there is a struggle between guerrillas and bishops; most of the visual images throughout the film are unconventional visual images. and the degree of freedom is astonishingly great: angry scorpions, lava from Mount Vesuvius and documentary scenes. Extreme surreal scenes and maverick scenes alternate: a cow lies in a young girl's bed; Christ becomes a sexual sadist; the father shoots his child without feeling, and when the servant's house catches fire, he turns a blind eye to it, even when an ox cart enters the room. The lovers longed to be together day and night, but felt at a loss as to what to do. They had to carry out collective damage and burn ploughs, giraffes and Christmas trees; the two bishops were thrown down from upstairs. What's more, a pair of lovers' eyes were squeezed out, their hands were bitten off, rolling on the rubble of a narrow street, and Elu's voice could be heard singing "Love, love!" An almost mysterious concept of love as something that can change everything and atone for people's sins.
7.4
