The complete works of SM by Fumihiko Kato in 1984 seems to be a dirge dedicated to the past masochistic peach films inspired by Lianshi's film theory at that time. It is somewhat similar to the "sex bullfight" won by Oguma in 1977. From today's point of view, it is equivalent to the works like Jin Min's "Thousand actresses" that hold nostalgic and sentimental feelings about the memory of film history. It is even reminiscent of the Cannes 60th anniversary short film collection "one Film per person". Like Hideo Nakata at that time (the father of today's "Midnight Bell"), the young deputy director Fumihiko Kato, who learned from Hirou Ohara, Shengsheng Onuma and others, who witnessed masochistic work at the Peach Film Factory, had not had time to become a regular, and the number of soft porn films that were active daily were stifled by the emerging AV (AdultVideo, adult video). Videotape has gradually replaced film as a new carrier of adult images. The complete works of SM features thirteen masochistic peach films starring Tanashi, Dong Yingmei, Mako Junko and Zhi Makumi, from Flower and the Snake in 1974 to Pallor woman in 1982, and focuses on "offering Lady", "OL Rope Slave", "Pale woman" and "Slave wife". Through a person who looks like Zhang Yuqi and whine.
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