In the play, THAAD himself never showed up and only existed in the dialogue of the six debut characters. The character of the character is also very clear, the Baroness of Simeon represents "virtue", while the Countess of Saint Fong represents "evil", and Madame Mento Nyunt represents the world. Although the two characters who represent good and evil are more dramatic, the center of the play is still the opposition between the protagonist Luni and Madame Mento Nu. Take the character's attitude towards THAAD as an example: Madame Mentoneu believes that the infamous and jailed THAAD is a disgrace to the family, while Saad's wife, Luni, is quite different. She sincerely waits for her socially ostracized husband and thinks that this is the only way to express her true love. However, when the revolution is surging, social values also change. When THAAD was released from prison and was hailed as the standard-bearer of the new era, Madame Mantornu made a U-turn. She became a fan of THAAD, calling him a French devotee. On the other hand, Lune's attitude is quite the opposite. The re-recognition of her husband by society means that her lonely love has lost its foundation. Not only that, she read a novel written by Thad in prison, in which she described the tragedy of a woman who adhered to virtue. Luna saw her own shadow in the work. Her loneliness.
6.8
